A Chronology of Experimentation
A Proverbial Rocking Chair, and the Dolomites
35mm, Fall 2026
Pale di San Martino, Italy
Moments. There are moments where beauty of incomprehensible proportion envelop me completely. Whole minutes pass in absurd brilliance while my own life and death stretch before me in the calm of perspective.
A jagged peak’s weathered face emerges through the clouds, and I look back with childlike awe, brimming with a seemingly out-of-place nostalgia. As if every person I’ll ever be has briefly fallen into perfect alignment.
The Upside-Downers
4th of July Parade Float, Summer 2026
Bolinas, CA
With great gratitude to the communities involved, especially my good friend Val Kostelnik who performed the stunt alongside me. Built with recycled wood and construction debris. How can the 4th of July celebrate communities while critiquing American values?
For Whom?
Mistint House Paint, Summer 2025
Bolinas, CA
A guerrilla mural series transforming 80 feet of a public beach’s old seawall into a cultural reflection. For whom is America?
Digital Shorts
Checkmate
90’s Camcorder and Watercolor, Fall 2025
Petaluma, CA
Temperature of Dance
Industrial Thermal Camera, Spring 2025
Oakland, CA
Plenty of Fish
Collaboration with Lucian Patton and Val Kostelnik
8mm Film, Fall 2024
Bolinas, CA
The Opera Won’t Wait
Collaboration with Roberto Varriale (Gourd Left)
Cast Bronze, Fall 2024
12” x 6” x 4”
Parallel Thinking (Above)
35mm and Mural Paint, Spring 2024
Petaluma, CA
Never Trust a Craigslist Man (Below)
Collaboration with Phoebe Kinder
35 mm, Spring 2024
Walla Walla, WA
Nostalgia’s Hue is Blue
Cyanotype Prints, Spring 2023
Alternative Film Process, Santa Clara University
Diptych of Discomfort
35 mm, Winter 2020
Mill Valley, CA
Never Nowhere
Collaboration with Parker Dixon and Val Kostelnik
Digital, Spring 2019
Black Rock Playa, NV
Never Nowhere sought to contrast manufactured goods of our industrialized world with the desolation of the Black Rock Playa. How can decontextualization render familiar objects foreign?
